Meg Hitchcock creates two and three dimensional abstract paintings that express her interest in religion, psychology, and literature and reflect the complexities of the human condition. Shadows and light are both implied and concrete as she shifts between flat and dimensional surfaces; however, the perspective is never clear.
The strict linear perspective of her reference is cast aside as she explains, “I use inverse perspective and conflicting light sources to redirect attention from pictorial space back to the viewer. These subtle shifts in perspective turn the focus inward, where one encounters authenticity and self-realization in their myriad forms.”